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Anthony, a Franciscan friar from Lisbon, died near Padua on 13 June 1231 and was proclaimed a Saint, in record time, just a year later.\u00a0 Ever since, the Basilica built in Padua in his name and honor has been known to the residents of the city as \u201cthe Saint\u201d.<\/p>\r\n
Construction of this monumental church incorporated the site of the small monastery where Anthony had lived for a time and the ancient church of Santa Maria Mater Domini where he was first buried (today\u2019s Chapel of the Dark Madonna) and took place extremely fast.\u00a0 The haste to commemorate his life indicates the place that Anthony had won in the hearts of the people and the boundless regard he was held in.\u00a0 Famously, Anthony is the patron saint of lost things and is also known as the Matchmaker Saint.<\/p>\r\n
Thanks to his enormous popularity, the Basilica is a living history of Venetian art and one of the world\u2019s great masterpieces.\u00a0 Its architectural, monumental and artistic history is studded with famous names, stretching in an unbroken arch from the Middle Ages to contemporary times, from Giotto to Annigoni, with contributions from Donatello, Titian, Sansovino, and Tiepolo.<\/p>\r\n
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Today, his tomb in the Basilica \u2013 the Veneranda Arca \u2013\u00a0 attracts a constant flow of visitors, devotees, pilgrims and supplicants.\u00a0<\/p>\r\n
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The image is almost life-sized and, befitting his saintly status, his position is raised above the observer, making him appear physically present. He offers a gesture of blessing, as if underlining the interaction between his representation and the faithful, while the book in his right hand symbolizes his doctrine. The simplicity of the image makes it immediately accessible and gives it an iconic force, while also demonstrating the example of Giotto.<\/p>\r\n
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The fresco<\/em> today is in a worrying state of conservation, with immediate restoration work required to save the painting.\u00a0 The process of degradation, which is already taking hold, can only be stopped with modern restoration techniques available.<\/p>\r\n\r\n\r\n\r\n The lower layers require consolidation in a process which reinforces the underpinnings of the fresco<\/em> itself.\u00a0\u00a0 Traces of past restoration attempts must be removed, new materials applied and, as the restoration proceeds, chemical tests will indicate the appropriate techniques to ensure that the work will be preserved.\u00a0 Lastly, all the holes in the paint will be filled in, restoring the legibility of the painting.<\/p>\r\n\r\n\r\n\r\n\r\n\r\n Undertaking restoration work also offers researchers the opportunity to use modern technology to search for other traces beneath the figure of St. Anthony, and the chance of finding an even older Antonian, or Franciscan, image preserved on this ancient wall.\u00a0<\/p>\r\n Above all, restoration will ensure the future of this precious and fragile image which speaks to us today of an earlier world and whose enduring legend is testimony to the historical man it portrays.<\/p>\r\n\r\n\r\n\r\n Be an Angel, Join the restoration campaign for the fresco of St. Anthony.<\/em><\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u00a0<\/h2>\r\n
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